Hugo Marchand Opens Paris Ballet Season in Hermès Leather Ensemble at 2026 Opera Gala

Event Signifying the Season’s Start

The official opening of the 2026 Paris ballet season took place at the renowned Opéra Garnier during the Ballet Association Gala. The ceremony gathered the entire company under the iconic roof, presenting three distinct shows. Among the attendees was celebrated ballerina Hugo Marchand, a leading figure in the local artistic scene. For Marchand, the gala is more than a professional duty; he described it as an experience full of enthusiasm and beauty, according to a Vogue interview.

The Importance of the „Défilé”

For a principal soloist, the „Défilé” moment is essential. Marchand explained that this showcase allows him to assess the passage of time and understand what it means to represent the institution. He has enjoyed such moments before, given his long career with the Paris Opera. His journey began in 2007 when he entered the Paris Opera Ballet School. Since then, he has graced the Opéra Garnier stage countless times and carried the company’s reputation abroad, touring in Madrid, New York, and Japan.

Performance Highlights of 2026

In the 2026 gala, Marchand displayed his artistic strength alongside fellow principal dancer Germain Louvet. Both launched the evening with a pas de deux titled „Inelele lui Saturn,” choreographed by Juliano Nuñes. Marchand emphasized the luck of sharing the stage with his best friend, who also holds the principal dancer title. He described the moment as extremely moving, giving the audience insight into their deep friendship expressed through movement.

Fashion Statement for the New Season

The visual aspect of the event was equally important to Marchand, who wanted a remarkable look to mark the new season. Working with his close friend and stylist Christopher Rao, they sought the perfect piece for the red carpet. They settled on a black leather jumpsuit from Hermès’ 2026 fall‑winter collection, designed by Véronique Nichanian. This is the designer’s final collection for the famed house, adding a sentimental touch. Marchand noted he felt very comfortable in the piece, appreciating its unexpected and slightly disruptive character in a traditional setting.

Details of the Jumpsuit

The jumpsuit is not entirely new; it is a reissue of a horse‑hair leather model first seen in Hermès men’s fall 1991 collection. To modernize the silhouette, Marchand paired the central piece with a charcoal poplin sleeveless tee and calf‑skin boots. Accessories included pavé diamond jewelry—rings, earrings, and an anchor‑chain necklace—all sourced from the French house’s archives. He praised the fine details on the jumpsuit and explained that the discreet jewels created a pleasing aesthetic balance.

Marchand’s Personal Style

Beyond rehearsals, Marchand describes his personal style as chic with street influences. Comfort remains a priority, but he insists clothes must also give him confidence. The modern look, inspired by biker attire, offered a fresh alternative to his usual light, ballet‑specific costumes. For the rest of the month, he will return to functional movement gear, as he is the lead in „L’Histoire de Manon.”

„L’Histoire de Manon” and Emotional Significance

This sentimental work marked his career, being his first lead role at age 21. Marchand previously performed the piece with Dorothée Gilbert, who will make her final appearance in the role on Thursday. It is an emotional moment for both artists, who have worked together for over ten years. He plans to savor every second with his partner before bidding a final farewell.

Challenges of the Production

Since early September, when rehearsals began, ballet has proven a unique challenge. Marchand describes „L’Histoire de Manon” as extremely demanding, both technically and emotionally. In the male role of Des Grieux, the physical demands are high, as the pas de deux’s lifts are considered difficult, high, and sometimes dangerous. This intensity makes preparation crucial for the show’s success.